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July 3rd - 9th
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A PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE
(Original English version)
Every day from July 3rd to 9th: 1:30, 5:25, 9:15

INFINITELY POLAR BEAR
(Original English version with French subtitles)
Every day from July 3rd to 9th: 3:00, 5:00, 7:00, 9:00

JACO
(Original English version with French subtitles)
Friday July 3rd: 7:05
Saturday July 4th and Sunday July 5th: 5:00

THE WOLFPACK
(Original English version)
Every day from July 3rd to 9th: 3:40, 7:30

ME, EARL THE THE DYING GIRL
(Original English version)
Friday July 3rd: 5:10, 9:30
Saturday July 4th, Sunday July 5th: 7:20, 9:30
Monday July 6th to Thursday July 9th: 5:10, 7:20, 9:30

THE GREAT MUSEUM
(Original German version with English subtitles)
Every day from July 3rd to 9th: 3:10

GÜEROS
(Original Spanish version with English subtitles)
Every day from July 3rd to 9th: 1:00

IRIS
(Original English version)
Every day from July 3rd to 9th: 1:15

A PIGEON SAT ON A BRANCH
REFLECTING ON EXISTENCE

Every day from July 3rd to 9th: 1:30, 5:25, 9:15

GOLDEN LION WINNER AT VENICE 2014

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Sweden. 2014. Dir.: Roy Andersson. 101 min.
With : Holger Andersson, Nils Westblom, Viktor Gyllenberg

Original Swedish version with English subtitles
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Like his previous features SONGS FROM THE SECOND FLOOR and YOU, THE LIVING, master Swedish director Roy Andersson takes up the theme of "being a human being" with this meticulously crafted, dreamlike black comedy.

Sam and Jonathan, a pair of hapless novelty salesman, take us on a kaleidoscopic tour of the human condition in reality and fantasy, unfolding in absurdist episodes: a sing-along at a 1940s beer hall, a randy flamenco teacher, a thirsty King Charles XII of Sweden en route to battle, and a diabolical metaphor for the horrors inflicted by European colonialism. It is a journey that unveils the beauty of single moments, the pettiness of others, life's grandeur, and the humor and tragedy hidden within us all.

“What a bold, beguiling and utterly unclassifiable director Andersson is. He thinks life is a comedy and feels it’s a tragedy, and is able to wrestle these conflicting impulses into a gorgeous, deadpan deadlock.”
-THE GUARDIAN

“The film is a master class in comic timing, employing pacing and repetition with the skill of a practiced concert pianist.”
-VARIETY

“A Pigeon Sat on a Branch Reflecting on Existence is a near-perfect cap to a near-perfect trilogy, a cavalcade of oddness, humor, banality and even horror.”
-THE PLAYLIST

GOLDEN LION – VENICE FILM FESTIVAL 2014

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