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NERUDA (STA)
Pablo Larraín (The Club, No, Tony Manero) weaves an engrossing metafictional fable around the 1948 manhunt for celebrated poet and politician Pablo Neruda, who goes underground when Chile outlaws communism and is pursued by an ambitious police inspector (Gael García Bernal) hoping to make a name for himself by capturing the famous fugitive.

The eventful and unorthodox life of the Nobel Prize–winning poet, politician, committed communist, unapologetic hedonist, and Chilean cultural icon Pablo Neruda provides plentiful territory for cinematic exploration. The poet's early-1950s exile in Procida previously inspired Michael Radford's Il Postino, a fictionalized story about Neruda's relationship with a local postman that left few cinemagoers dry-eyed. Now, Pablo Larraín, Chile's most inventive and provocative contemporary filmmaker, takes a wholly unique approach to his famous countryman's life and work with Neruda, which is set during the poet's sojourn underground in the late 1940s.

Following the Chilean president's outlawing of communism in 1948, Neruda (Luis Gnecco) and his artist wife Delia (Mercedes Morán) are forced into hiding. While the mundanity of life on the run holds little charm for the cultured pair, this also proves to be a time of prolific output for the poet, as Neruda's ideologically charged poems rouse the people and give voice to the voiceless.

Providing counterpoint to Neruda, Larraín introduces a second protagonist: an invented character named Óscar Peluchonneau (Gael García Bernal, who previously starred in Larraín's acclaimed No), an ambitious police inspector hoping to make a name for himself by capturing the celebrity fugitive. Larraín uses the cat-and-mouse game between these two adversaries to reflect on notions of identity and character, as Peluchonneau strives to escape from his fictional origins by tracking down the "real" Neruda.

Elegant and beguiling, Neruda offers a (fittingly) Nerudian vision of its eponymous protagonist. It's a metafictional fable that blends historical recreation with literary and cinematic fabrication. Pushing the limits of filmic biography, Larraín offers a stimulating and sometimes startling rumination on the split that can exist between the person and the persona, the man and the artist.

- TIFF BELL LIGHTBOX
Pablo Larraín
film_list Événement spécial
Q&A WITH THE DIRECTOR
20 January 2017  19:30
GULISTAN, LAND OF ROSES (STA)
In the mountains and deserts of Kurdistan, female PKK guerillas are fighting ISIS (the Islamic State). In this startling and intimate and immersive documentary, these revolutionary women invite us into their daily lives, speak frankly about their ideals and share reflections on their world.
Zaynê Akyol
 
LAC DES CYGNES
Drawing on ancient Slavic and Norse mythology where destiny is often born out of the mysterious forces of nature, Swan Lake has become a legend in its own right. Tchaikovsky’s first ballet score is imbued with a deep sense of nostalgia, echoing the composer’s own experience of love as elusive as it was impossible. However the work remained misunderstood until 1895 when Marius Petipa undertook his own choreographic interpretation. With the help of Lev Ivanov, Petipa created majestic figures for the female corps de ballet and breathed life into the swan‑dancer. In Rudolf Nureyev’s “Freudian” version, conceived for the Paris Opera Ballet in 1984, Prince Siegfried, manipulated by the evil Rothbart, shuns the realities of power and marriage to take refuge in dreams where a magic lake symbolizing idealised love appears to him. Nureyev elevated the role of the prince to that of the heroine by giving him a deeper psychological dimension whilst opting to give this masterly action ballet a tragic denouement more in tune with its musical substance.
 
JACKIE (STF)
JACKIE is a searing and intimate portrait of one of the most important and tragic moments in American history, seen through the eyes of the iconic First Lady, then Jacqueline Bouvier Kennedy (Natalie Portman). JACKIE places us in her world during the days immediately following her husband's assassination. Known for her extraordinary dignity and poise, here we see a psychological portrait of the First Lady as she struggles to maintain her husband's legacy and the world of "Camelot" that they created and loved so well.
Pablo Larrain
 
POUR L\'AMOUR D\'HOLLYWOOD  (STF)
Written and directed by Academy Award (R) nominee Damien Chazelle, LA LA LAND tells the story of Mia(Emma Stone), an aspiring actress, and Sebastian (Ryan Gosling), a dedicated jazz musician, who are struggling to make ends meet in a city known for crushing hopes and breaking hearts. Set in modern day Los Angeles, this original musical about everyday life explores the joy and pain of pursuing your dreams.
Damien Chazelle
 
English subtitled in French
13 years and +
13 years and +
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MOONLIGHT (STF)
The tender, heartbreaking story of a young man's struggle to find himself, told across three defining chapters in his life as he experiences the ecstasy, pain, and beauty of falling in love, while grappling with his own sexuality.

''MOONLIGHT is both a disarmingly, at times almost unbearably personal film and an urgent social document, a hard look at American reality and a poem written in light, music and vivid human faces.''
- N EW YORK TIMES

''The indie drama touches on themes of race, sexuality and isolation in ways that are rarely depicted in cinema.''
- USA WEEKLY

''It just needs to be watched and embraced, as an entirely fresh example of the power that great movies can exert on our lives.''
- TORONTO STAR
Barry Jenkins
 
English subtitled in French
13 ans + (langage vulgaire)
13 ans + (langage vulgaire)
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MANCHESTER BY THE SEA (STF)
In MANCHESTER BY THE SEA, the latest film from award-winning writer and director Kenneth Lonergan, the life of a solitary Boston janitor is transformed when he returns to his hometown to take care of his teenage nephew. The story of the Chandlers, a working-class family living in a Massachusetts fishing village for generations, Manchester by the Sea is a deeply poignant, unexpectedly funny exploration of the power of familial love, community, sacrifice and hope. After the death of his older brother Joe (Kyle Chandler), Lee Chandler (Casey Affleck) is shocked to learn that Joe has made him sole guardian of his nephew Patrick (Lucas Hedges). Taking leave of his job, Lee reluctantly returns to Manchester-by-the-Sea to care for Patrick, a spirited 16-year-old, and is forced to deal with a past that separated him from his wife Randi (Michelle Williams) and the community where he was born and raised. Bonded by the man who held their family together, Lee and Patrick struggle to adjust to a world without him. In his first film since 2011's acclaimed Margaret, Lonergan once again proves himself a powerful and visionary storyteller as he seamlessly weaves past and present together, crafting a tension-filled tale that deftly eschews sentimentality in favor of penetrating emotional insight and deeply affecting human relationships.
Kenneth Lonergan
 

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From December 16 to 22, 2016