THE SEAGULL is the heartbreaking and funny story of friends and lovers, all of whom are in love with the wrong person. The movie is timely in its depiction of the tragic consequences of narcissism, particularly on young dreams and romantic love. Based on the Play by Anton Chekhov
Phantoms swirl around Ismael (Mathieu Amalric), a filmmaker in the throes of writing a spy thriller based on the unlikely escapades of his brother, Ivan Dedalus (Louis Garrel). His only true source of stability, his relationship with Sylvia (Charlotte Gainsbourg), is upended, as is the life of his Jewish documentarian mentor and father-in-law (László Szabó), when Ismael’s wife Carlotta (Marion Cotillard), who disappeared twenty years earlier, returns, and, like one of Hitchcock’s fragile, delusional femmes fatales, expects that her husband and father are still in thrall to her.
A brilliant shape-shifter—part farce, part melodrama—Ismael’s Ghosts is finally about the process of creating a work of art and all the madness that requires.
A poem for the planet, Nova Ami and Velcrow Ripper's film Metamorphosis takes the pulse of our earth and bears witness to a moment of profound change: the loss of one world, and the birth of another. Metamorphosis captures the true scale of the global environmental crisis. Forest fires consume communities, species vanish, and entire ecosystems collapse. Economic growth, tied to increased speed of resource extraction, has created a machine with the capacity to destroy all life. But this crisis is also an opportunity for transformation. Through a tidal flow of stunning images, Metamorphosis carves a path from the present to the future, and offers a bold new vision for humanity and the world.
Presented in collaboration with the Festival international de jazz de Montréal
Filmed over the course of a decade, the new documentary from director Sophie Fiennes (The Pervert’s Guide to Ideology) offers a stylish and unconventional look at the Jamaican-born model, singer, and New Wave icon.
"Grace Jones, the statuesque Jamaican model-turned-singer, actress and icon has made a career performing versions of herself. But who is the real Grace Jones behind the masks and makeup? This film moves between her personae onstage and off. Don't expect a traditional music biography with sit-down interviews and archival footage. This treatment is as stylish and unconventional as its subject. In the subtitle, "bloodlight" refers to the studio signal for recording and "bami" is a Jamaican flatbread. They stand for art and life.
Filmmaker Sophie Fiennes has previously made films about a philosopher, a dancer, and an artist. Each time, she conjures a fresh style for the material. (One of her early documentaries, Hoover Street Revival, profiled Jones' brother Noel, the Los Angeles preacher). With Grace Jones, filmed over 10 years, we gain entry to her private spaces: her family in Jamaica, in the studio with long-time collaborators Sly & Robbie, and in Paris with her one-time image maker and lover, Jean-Paul Goude. In negotiations glimpsed on camera, she demonstrates that you wouldn't want to go against her. "Sometimes you have to be a high-flying bitch." Yet we also catch her in sweet and vulnerable moments.
Interspersed throughout the film are performances from a 2016 concert staged for Fiennes' camera. Strutting the stage like an Amazon in heels, Jones performs songs such as "Slave to the Rhythm," "Love is the Drug" and "Amazing Grace" with multiple costume changes. This might be the first documentary with a credit for Corset Designer. Whatever mysteries she conceals, one thing is for certain: we can't take our eyes off her." -THOM POWERS, TIFF 2017