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THE ROOM is a sincere attempt by actor, director, writer, and producer Tommy Wiseau to create a romantic tragedy. Fortuantely it was so poorly made that it has attained cult status in LA, where monthly midnight screenings have been held for the last few years and audience participation has become a tradition.
Down in the swamp with films like Plan 9 from Outer Space and Troll 2, THE ROOM is so bad that it is among the top 10 bestselling comedies on amazon.com, and has even made it onto Wikipedia’s List of films considered the worst. You will find this movie so awful that you will want to watch it again and again.
• Is this the worst movie ever made? The Room is so unfeasibly bad, it has become a cult hit (The Guardian UK).
• “The Citizen Kane of bad movies” (Entertainment Weekly)
• “a bad – shockingly bad – romantic tragedy” (Time Out New York).
• “prompts most of its viewers to ask for their money back – before even 30 minutes have passed” (Variety).
Most film-makers have nightmares about reviews like these, but they’ve worked wonders for The Room, a movie whose transcendent awfulness has made it a cult phenomenon and an audience-participation fixture along the lines of The Rocky Horror Picture Show.
Special rate: $16.50
Screening day : $22.50
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Showing with French subtitles
The Tony Alva Story chronicles T.A.’s humble beginnings on the streets of Santa Monica to his rise to superstardom as part of the legendary Z-Boys, his inevitable drug-induced implosion and his ultimate rise from the ashes to accept his rightful place as a beacon of hope and inspiration for generations of skateboarders the world over.
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The untold story of a series of Reagan-era guerrilla punk and industrial desert happenings in Southern California that are now recognized as the inspiration for Burning Man, Lollapalooza, and Coachella. Interviews and rare performance footage of Sonic Youth, Minutemen, Meat Puppets, Redd Kross, Einstürzende Neubauten, Survival Research Laboratories, Savage Republic, Swans and more.
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While working on a short film for a student project, two friends engage in a kiss as part of the script. The intimate moment sets off a chain reaction of events, from lingering questions about their sexuality to altering the nature of their friendship and their relationship to their wider social circle.
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Pain and Glory tells of a series of reencounters experienced by Salvador Mallo, a film director in his physical decline. Some of them in the flesh, others remembered: his childhood in the 60s, when he emigrated with his parents to a village in Valencia in search of prosperity, the first desire, his first adult love in the Madrid of the 80s, the pain of the breakup of that love while it was still alive and intense, writing as the only therapy to forget the unforgettable, the early discovery of cinema, and the void, the infinite void that creates the incapacity to keep on making films. Pain and Glory talks about creation, about the difficulty of separating it from one's own life and about the passions that give it meaning and hope. In recovering his past, Salvador finds the urgent need to recount it, and in that need he also finds his salvation.
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Bong Joon Ho brings his work home to Korea in this pitch-black modern fairytale. Meet the Park Family: the picture of aspirational wealth. And the Kim Family, rich in street smarts but not much else. Be it chance or fate, these two houses are brought together and the Kims sense a golden opportunity. Masterminded by college-aged Ki-woo, the Kim children expediently install themselves as tutor and art therapist, to the Parks. Soon, a symbiotic relationship forms between the two families. The Kims provide "indispensable" luxury services while the Parks obliviously bankroll their entire household. When a parasitic interloper threatens the Kims' newfound comfort, a savage, underhanded battle for dominance breaks out, threatening to destroy the fragile ecosystem between the Kims and the Parks.
